Repousse Leaves

Lead backed iron repousse

  • Marking Out

    Marking out all of the detail required

  • Veining

    Veining the leaf: Stage 1

  • Veining

    Veining the leaf: Stage 2

  • Marking

    Once the veining and shaping has been completed the final stage is to cut out the shape.

  • Cutting

    Chiselling out the leaf from the sheet.

  • Completed

    Left: Original leaf, Right: My copy

  • Completed

    Left: Original leaf, Right: My copy

Hall Conservation Ltd Research Project

As part of our process, technique and material research at Hall Conservation Ltd, we undertook some detailed studies of repoussé ironwork by Jean Tijou. This was part of the wider conservation works for HRP Hampton Court Palace programme of works on the Tijou Screen.

Based on example repoussé leaves from the HCP archive we attempted to replicate the style and finish of the Tijou ironwork. As modern smiths we do not have ready access to wrought or charcoal iron sheet, we used modern commercially available ‘pure iron’ sheet. As we found, this is a wonderful material for repoussé ironwork as you can create depth and movement as it is softer than mild steel. This reduces cracks and the number of annealing processes.

The art of mimicking other peoples ironwork requires a keen eye and good understanding of the processes. To improve the initial template several iterations are required as the starting shape can vary significantly from the final form. This project required the manufacture of a complete set of punches and chisels to exactly replicate the original line and style. The project was completed using lead as a backing material.

The final two images show the original (left) and the copy (right).

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